| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Tiziana Colasso | 5 | ||
| 2) | Gloria Merlino | 6 | ||
| 3) | Massimo Constantino | 7 | ||
| 4) | Lucia Cesarini | 8 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Paolo Isaja | Director | 1 | |
| 2) | Nagy Shaker | Director | 1 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Suleiman Gamil | 2 |
| Name | Synopses | Official ? | Options |
|---|---|---|---|
| Tarek Sharkawy | A meditation on freedom at the turn of the 1970s, which utilizes the full vocabulary of experimental cinema to evoke youthful experimentation and energetic abandon. 164 | ||
| Tarek Sharkawy | A meditation on freedom at the turn of the 1970s, which utilizes the full vocabulary of experimental cinema to evoke youthful experimentation and energetic abandon. 164 |
| Name | Summaries | Official ? | Options |
|---|---|---|---|
| Tarek Sharkawy | A meditation on freedom at the turn of the 1970s, which utilizes the full vocabulary of experimental cinema to evoke youthful experimentation and energetic abandon. 164 | ||
| Tarek Sharkawy | A meditation on freedom at the turn of the 1970s, which utilizes the full vocabulary of experimental cinema to evoke youthful experimentation and energetic abandon. 164 |
| Name | Review Content | Spoiler ? | Official ? | Options |
|---|