Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Claudine Auger | Renata | 1 | |
2) | Chris Avran | Ventura | 2 | |
3) | Laura Betti | Mrs. Fusadi the clairvoyant | 3 | |
4) | Isa Miranda | The Countess | 4 | |
5) | Luigi Pistilli | Albert | 5 | |
6) | Brigitte Skay | Brunhilda | 6 | |
7) | Leopoldo Trieste | 7 | ||
8) | Claudio Volonte | Simon | 8 | |
9) | Anna Maria Rosati | Laura | 9 | |
10) | Paola Rubens | 10 | ||
11) | Guido Boccaccini | 11 | ||
12) | Robert Bonani | 12 | ||
13) | Giovanni Nuvoletti | 13 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Filippo Ottoni | Screenplay | 2 | |
2) | Mario Bava | Screenplay | 4 | |
3) | Franco Barberi | Story | 9 | |
4) | Dardano Sacchetti | Story | 10 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Mario Bava | Director | 1 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Giuseppe Zaccariello | Producer | 3 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Stelvio Cipriani | Original Music Composer | 5 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Carlo Reali | Editor | 6 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Mario Bava | Director of Photography | 7 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Sergio Canevari | Production Design | 8 |
Name | Synopses | Official ? | Options |
---|---|---|---|
Tarek Sharkawy | The film follows the simultaneous murderous activities of several different characters as they each attempt to remove any human obstacles that stand in the way of an inheritance. 178 |
Name | Summaries | Official ? | Options |
---|---|---|---|
Tarek Sharkawy | The film follows the simultaneous murderous activities of several different characters as they each attempt to remove any human obstacles that stand in the way of an inheritance. 178 |
Name | Trivia Body | Criteria | Options |
---|---|---|---|
Tarek Sharkawy | Federico Fellini once commented that he worked on writing a horror film for an acquaintance who gave him a script with numerous depictions of murders, but not one thread of story connecting them. Many believe it was Mario Bava he was referring to, in particular this movie. After a month of having all his ideas rejected, he told the filmmaker to shoot the script and figure out the story later. He stated this might have been the best advice he ever gave another filmmaker. | ||
Tarek Sharkawy | Often considered Mario Bava's most influential film and the film that started the "slasher" craze, which is still popular. Many fans of the genre consider this the grandfather of the modern slasher film. | ||
Tarek Sharkawy | Horror director Dario Argento (Suspiria) loved the film so much, he had a friend (who was a projectionist) steal him a print of the film during its first run in Italy. The theater ended up showing Hatchet for the Honeymoon (1970) to replace the stolen print for the remainder of the film's run there (about a week and a half according to Argento. He possesses the print to this day). | ||
Tarek Sharkawy | Reportedly has more alternate titles than any other movie. |
Name | Review Content | Spoiler ? | Official ? | Options |
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