| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Enas El Dighade | 3 | ||
| 2) | Samir Farid | 4 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Nour El Din Ali | Writer | 1 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Nour El Din Ali | Director | 1 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Ahmad Samy Fekry | 2 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Yousef el kady | 2 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | High Cinema Institute | Producer | 2 |
| Name | Synopses | Official ? | Options |
|---|---|---|---|
| Dalia Saad | A documentary that deals with the cinema of director Inas El-Degheidy through a critical analysis by Samir Farid and an academic analysis by Azza Halim, a faculty member at the Cairo Higher Institute of Cinema, explaining whether this cinema doesn't get its share of academic study and whether it is truly characterized by boldness or a real connection to women’s cinema. 371 |
| Name | Review Content | Spoiler ? | Official ? | Options |
|---|