| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Nathalia Dill | 1 | ||
| 2) | Thiago Lacerda | 2 | ||
| 3) | Agatha Moreira | 3 | ||
| 4) | Chandelly Braz | 4 | ||
| 5) | Vera Holtz | 5 | ||
| 6) | Rodrigo Simas | 6 | ||
| 7) | Alessandra Negrini | 7 | ||
| 8) | Malvino Salvador | 8 | ||
| 9) | Maurício Destri | 9 | ||
| 10) | Pâmela Tomé | 10 | ||
| 11) | Ana Julia Dorigon | 11 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Marcos Bernstein | Writer | 1 | |
| 2) | Giovana Moraes | Writer | 2 | |
| 3) | Jane Austen | 3 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Frederico Mayrink | Director | 1 | |
| 2) | Hugo de Sousa | Director | 2 |
| Name | Synopses | Official ? | Options |
|---|---|---|---|
| Salma El-Sharkawy | Although a mother in the early 1900s aspires to marry her five daughters to acceptable men, Elisabeta Benedito does not prioritize marriage. The independent-minded dreamer and her sisters are more concerned with living their own lives than they are with finding true love, and in order to do so, they must defy social norms. 324 |
| Name | Review Content | Spoiler ? | Official ? | Options |
|---|