| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Mohammed Hussein Abdul Rahim | 1 | ||
| 2) | Odai Fadel Khalil | 2 | ||
| 3) | Hayat Al Shawak | 3 | ||
| 4) | Saad Aziz Abdul Sahib | 4 | ||
| 5) | Ohoud Ibrahim | 5 | ||
| 6) | Hussein Ali Haref | 6 | ||
| 7) | Duraid Abdul Wahab | 7 | ||
| 8) | Israa Majed | 8 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Department of Film and Theater | 1 | ||
| 2) | National Acting Troupe | 2 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Duraid Abdul Wahab | 1 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Duraid Abdul Wahab | 1 |
| Name | Synopses | Official ? | Options |
|---|---|---|---|
| farah ashraf | A grandfather returns to the Baghdad courtyard where he grew up, to relive his memories through a lively monologue, bringing back to life the folklore and popular society of Baghdad in 1941. The events of that time reflect the richness of traditions and the connection to roots, along with a powerful symbolism of preserving the homeland and confronting occupation and internal division. 388 |
| Name | Review Content | Spoiler ? | Official ? | Options |
|---|