| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Faleh Fayez | 1 | ||
| 2) | Ibrahim Mohammad | 2 | ||
| 3) | Ahmed Afif | 3 | ||
| 4) | Nafez El Sayed | 3 | ||
| 5) | Fatma Al Shorouqy | 4 | ||
| 6) | Mohamed Hassan | 5 | ||
| 7) | Rashed Saad | 6 | ||
| 8) | Abdel Wahed Mohammad | 8 | ||
| 9) | Mohammad Al Sayegh | 9 | ||
| 10) | Asrar Mohammad | 10 | ||
| 11) | Khalid yousef | 12 | ||
| 12) | Mohammed Al Tamimi | 12 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Abdel Rahman Al Mannaaey | 1 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Abdel Rahman Al Mannaaey | 1 |
| Name | Synopses | Official ? | Options |
|---|---|---|---|
| Shaimaa Saied | The play tackles the struggle for dominance in an Arab village, where the gutter turns from pouring water to pouring blood, symbolizing the escalation of injustice and persecution. It takes inspiration from folk heritage to show the authorities’ bias against the innocent in a deeply symbolic style. 302 |
| Name | Review Content | Spoiler ? | Official ? | Options |
|---|