| 20 April 2015 | Egypt | No | ||
| 9 February 2015 | Germany | No |
| Documentary |
| France | |
| Lebanon |
| Arabic |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Bassem Fayad | 4 | ||
| 2) | Marc Khalifeh | 5 | ||
| 3) | Akram Zaatari | 6 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Nadim Mishlawi | Music Composer | 2 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Akram Zaatari | 2 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Akram Zaatari | Director | 2 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Akram Zaatari | Producer | 2 |
| Name | Role/Job | Order of appearance | Options | |
|---|---|---|---|---|
| 1) | Jowe Harfouche | 2 |
| Name | Synopses | Official ? | Options |
|---|---|---|---|
| Tarek Sharkawy | This film takes the site of an old photographic studio named Studio Shehrazade (founded in Saida –South Lebanon—in1953) as a site of an excavation the filmmaker leads. The film observes all kinds of findings, through which the film counts the story of a photographer, Hashem el Madani (1928- ), a city (Saida), an economy, and the industry of photography. It hereby touches on the socio-politics of image making and consuming, and looks at the function photography played in the lives of city inhabitants. 505 |
| Name | Review Content | Spoiler ? | Official ? | Options |
|---|