Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Mohamed Saad | 1 | ||
2) | Mai Ezz El Din | 2 | ||
3) | Hassan Hosny | 3 | ||
4) | Youssef Fawzy | 4 | ||
5) | Youssef Eid | 5 | ||
6) | Ahmad Mounir | 6 | ||
7) | Khaled Talaat | 7 | ||
8) | Mahmoud Al Sherbini | 8 | ||
9) | Maged El Kedwany | 9 | ||
10) | Entsar | Mervat | 10 | |
11) | Maysara | 11 | ||
12) | Diaa El Merghany | 12 | ||
13) | Abd Allah Meshref | 13 | ||
14) | Gamal Hejazi | 14 | ||
15) | Hussein Abo Hagag | 15 | ||
16) | Mahmoud Bashir | 16 | ||
17) | Mohamed Qishta | 17 | ||
18) | Mohamed Dardeery | 18 | ||
19) | Mustafa Abu Al Azaim | 19 | ||
20) | Fatima Koshari | 20 | ||
21) | Sayed Al Tayeb | 21 | ||
22) | Mohamed Kamal | 22 | ||
23) | Hassan Kofta | 23 | ||
24) | Tarek Essam | 24 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Kuwait National Cinema Company (Cinescape) | 8 | ||
2) | Wael Abdullah | Distributor | 8 | |
3) | Mohamed Hassan Ramzy | Distributor | 9 | |
4) | Hesham Abdelkhalek | Distributor | 10 | |
5) | Almassa Art Production | Distributor | 11 | |
6) | Oscar for Disttribution and Theaters | Distributor | 12 | |
7) | M. H. R Films | Distributor | 13 | |
8) | Kareem El Sobky Films | Distributor | 14 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Ahmed El Sobky | Producer | 6 | |
2) | Karim El Sobky | 7 | ||
3) | Hazem Shafiq | 8 | ||
4) | El Sobky Film Productions | Producer | 9 | |
5) | Joseph zohny | 10 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Yasser Shama | Sound Engineer | 4 | |
2) | Ahmed Gaber | 5 | ||
3) | Islam Gouda | 6 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Ashraf Fayeq | Director | 1 | |
2) | Sara Wafiq | 3 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Nader Salah Al Din | Story & Screenplay | 1 | |
2) | Mohamed Saad | Story & Screenplay | 2 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Amr Assem | Editor | 2 | |
2) | Mohamed Abdel Moneam | 2 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | mohamed morad | Art Director | 3 | |
2) | Osama Al Shenawy | 4 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Sign Agency | 3 | ||
2) | Amr Assem | 4 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Amr Ismail | 3 | ||
2) | Mohamed Saad | 4 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Emad Kassem | تصوير الافيش | 2 |
Name | Role/Job | Order of appearance | Options | |
---|---|---|---|---|
1) | Atef El Mahdy | Director of Photography | 2 |
Name | Synopses | Official ? | Options |
---|---|---|---|
محمد ألطيب | Al-Lembi returns as a lawyer that isn’t exactly doing well financially. He gets married to a schoolteacher, but the bills keep piling up and he can’t seem to manage to keep up with them. He gets involved in an accident that turns his life upside down. 252 |
Name | Summaries | Official ? | Options |
---|---|---|---|
محمد ألطيب | Al Lembi returns as a lawyer that isn’t exactly doing well financially. He gets married to a schoolteacher, but the bills keep piling up and he can’t seem to manage to keep up with them. Thereafter he is involved in an accident that is to change his life forever. 264 |
Name | Review Content | Spoiler ? | Official ? | Options |
---|---|---|---|---|
محمد ألطيب |
when cooperation with the big ones becomes a burden on the directorThis title is a comedy film that centers around a failed person who undergoes massive change following an accident. A newly devised surgical procedure succeeds...Read more in transforming the previously unsuccessful individual into a hard-hitting lawyer. The screenplay that was the work of Nader Salah Al Deen was unsuccessful with regards to conveying the aforementioned theme and elaborating on it. Rather, the screenplay seems to have been limited to a few oft repeated mannerism of the “Al Limby” persona. Moreover, the work’s director, Ashraf Fayek seems to have been contented with far and near shots that display Mohamed Sa’ad’s acrobatic movements and facial expressions. For his performance in this production, Mohamed Sa’ad revives the character of “Al Limby” which first brought him success eight years ago. However, that persona seems to have been less than fitting in this latest effort due to the fact that it seems to have been forced into the context as a way of achieving quick success. Moreover, May Ezz Al Deen seems to have lost some of her status among fans for agreeing to assume a supporting role which was otherwise not specifically restricted to a woman. Additionally, Entissar and Maged Al Kadwany seem to have each performed roles which are below their usual calibers. Audiences have been split in their reception of the film. Proponents of the work have cited the persona of “Al Limby” as one which still retains the ability to generate laughter. Nonetheless, both cohorts agree that the film was lacking in substance. Critics, however, have been unanimous in denouncing the work. Mahmoud A’bd Al Shakour who writes for “Rosa Al Youssif” has sarcastically described the product as a sort of empty placebo. Meanwhile, Ussama El Shazly at elcinema.com has described the film as weak and worn out. Do’aa Sultan at “Al Distoor” has used more serious language and labeled the effort as “Sa’ad’s last fall” while the eminent movie critic Tareq El Shenawy has described the movie as Sa’ad’s worst film so far. |